More examples of hip hop’s growing international influence, this time in Morocco:
Audiences scream and shout in frenzied anticipation for Morocco’s rap bands to perform. Moroccan rap artists are taking the local music scene by storm in what can only be described as a bona fide phenomenon reflecting the voices of the country’s younger generation.
Al Akef explained that ‘rap’ music fundamentally relies on street “lingo” that express the socially and economically repressed conditions of a particular segment of society, which is why this type of music is prevalent in the marginalized neighborhoods and districts. He compared it to the roots of rap and hip-hop in Harlem and the Bronx in the US, and French rap that originated in France’s poor suburbs [les banlieues, French rap is often referred to as the voice of the banlieues]. According to al Akef, French and American rap has a huge audience and moreover has a significant impact on social, and even political, life. Al Akef maintains that such artists and performers possess an awareness, which he contrasts with Moroccan rap performers. Al Akef believes that the content of Moroccan rap is vacant and full of slander, pessimism and vile language.